The Technique of FURNITURE MAKING

Manufactured boards

These can be grouped within three broad classifications:

Plywoods

These are composed of layers or strips of solid wood glued together in simulation of solid wood, viz. plywood, laminboard, blockboard, battenboard, each layer being at right angles in grain direction to the one above or below.

Particle boards

Commonly known as chipboard, they are composed of wood chips bonded together with synthetic resin glue and pressed or extruded into rigid sheets.

Fibre boards

These are composed of wood fibre macerated in water and pressed at high temperatures, often with a little resin, into sheets and boards of varying densities, according to the degree of heat and pressure applied, viz. hardboards. softboards, and medium density fibreboard. The later, MDF, is rapidly superseding both particle board and plywood in industrialized production of furniture.

PLYWOOD (THREE-PLY, MULTIPLY, ETC.)

The technique of gluing together thin sheets of wood in a balanced construction with each layer crossed at right angles so that the wood grains are locked in position, effectively preventing all shrinkages across the width, dates from the seventeenth century, but it was only in 1896 that plywood was commercially produced for cheap tea-chests. Since then ceaseless development has produced a bonded sheet which is com­pletely free from lamination, and which is generally available in thicknesses from 1/32 in (0.8 mm) to 1 in (25 mm), in a range of qualities for every purpose.

The original tea-chest ply was composed of three layers—a central core and two balancing veneers—thence the familiar term 'three-ply' which is still used for three-layer construction. Plywoods with more than three layers are usually classed as multiply, although the term 'five-ply' is sometimes used for five-layer construction. Obviously, the layers or veneers of which the ply is composed must be relatively thin or the strength of the timber and its tendency to shrink and distort will be greater than the strength of the bonding adhesive; therefore for strong plywood additional layers must be used, one on either side for each increase in thickness, so that the total number will always be odd for a balanced construction, as distinct from an unbalanced assembly of an even number of veneers which will have a greater tendency to pull or distort. In practice, the central core can be relatively thick (1/8 in [3 mm] or 1/6 in [4 mm]), and of lower density wood to reduce the overall weight; but wherever possible the combination of veneer thickness and wood species should be chosen to give the finished sheet equal stiffness both parallel and perpendicular to the grain of the face veneers. For this reason each pair of balancing veneers, including the face and backing veneers, is usually of the same thickness and of the same or comparable species. The number of glue-lines also affects the overall stiffness, and the thinner the veneers, with the consequent increase in the number of glue-lines, the greater the rigidity of the finished sheet will be.

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The Technique of FURNITURE MAKING

ESTIMATING THE COST OF MAN-HOURS IN HANDWORK

Where no previous records are available the proprietor must assess his own capabilities and those of his employees. Common joinery items are usually in softwood of fairly large dimensions, with …

Costs of man-hours

The total cost of man-hours at the rates paid, plus overtime rates where applicable, plus health insurance, pensions, paid holidays, etc. have to be considered. Here again these may be …

Appendix: Costing and estimating

Costing is the pricing of completed work taking into account not only all the direct expenses— materials, wages and insurances, fuel and power, machining costs, workshop expenses, etc.—but also a …

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