Furniture Design

Built-in/Stationary

Подпись: Figure 3.39 Built-in study carousels at Exeter Library, designed by Louis Kahn (1967). Photography copyright © William A. Yokel, 2005. When built-in furniture is carefully inte­grated with its surrounding space, it can enhance the continuity of the architec­ture. Built-in casework and millwork require on-site installation and mechani­cal attachment to a floor, wall, or ceiling.

In these situations, designers must con­sider ways in which relatively imperfect or irregular existing conditions will receive precisely fabricated elements.

Reveals, shims, and scribed edges must be incorporated in the design of built-in casework. Plaster and wallboard parti­tions are rarely flat. Floors and ceilings are seldom level. What lies behind inte­rior surfaces is often a mystery. In addi­tion, the placement of built-in millwork and stationary furnishings are critical in

regard to their impact on the circulation of the surrounding space, as illustrated in the built-in study carousels of Exeter Library designed by the architect Louis Kahn (Figure 3.39).

Wall-mounted panels and cabinets attached to interior partitions are generally sup­ported by French cleats, which are interlocking hardware devices—one applied to the panel, the other secured to the wall. French cleats are conventional means of supporting heavy wall-mounted panels, cabinets, and display systems.

Furniture Design

Built form and Culture

People from different cultural backgrounds view the built environment in different ways. Correlations between furniture, culture, and use develop into complex associations between built form and cul­ture. Culture is a …

MODERNISM

Modernism is more than a style. It is a philosophical way of thinking about architecture and design. It came into being in an emerging industrial world that rapidly embraced mechanization. …

Venustas

What distinctions can be made between aesthetics, a personal reaction to physical or visual stimuli and is subjec­tive. Pleasure is revealed by sensation through the tactile nature of materials, finishes, …

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